The Berlin Scat Queens were formed in 2015, when a group of like-minded vocalists came together to create a unique and innovative music project. The group's founders, and Susanne Frick , were both experienced vocalists who had been performing in various jazz and musical ensembles around Berlin. They shared a passion for scat singing and wanted to create a platform to showcase this unique vocal technique.
The Berlin Scat Queens were born out of a desire to challenge the male-dominated art scene in Berlin, which has long been criticized for its lack of diversity and representation. In 2018, a group of like-minded artists came together to create a platform that would showcase their unique perspectives and talents, while also providing a space for women to express themselves freely and without apology.
You won't find a listing for "Berlin Scat Queens" in a club guide. But understanding the phrase means understanding a core part of Berlin's identity—a city that isn't afraid to let different, and sometimes dark, creative worlds coexist. berlin scat queens
Happy listening, and enjoy Berlin!
The group has released several albums, including " Live in Berlin" and "Scat Happy". They have performed at various jazz festivals and concerts in Europe, Asia, and the Americas. Their live shows are known for their high energy, playfulness, and impressive vocal acrobatics. The Berlin Scat Queens were formed in 2015,
Berlin is internationally recognized as a sanctuary for alternative lifestyles, artistic non-conformity, and radical self-expression. From its legendary techno clubs to its pioneering role in social history, the city has long fostered environments where unconventional identities and subcultures are not only tolerated but integrated into the city's unique cultural fabric.
Lab.oratory is famous for its thematic nights. Beyond the more common "Fisthall" or "Office Slut," the club hosts specific "Scat" events. Descriptions of these nights include themes like “Drecksloch” (translated online as "the after-mud-dirthole-piss-fuck"), where the boundaries of hygiene and taboo are intentionally obliterated. The infamous "Brown Hanky" book series, which chronicles the global gay fetish scene, specifically reviews the "legendary Lab.oratory scat event" featuring interviews with community "legends" like Jock of Shit. The Berlin Scat Queens were born out of
The European jazz landscape is increasingly characterized by hybridization (Stahl 2017; Heine 2022). In Berlin, the post‑2000 “Club Jazz” milieu has fostered cross‑genre experiments (Schulz 2019). However, systematic analyses of female-led improvisational collectives remain scarce.
Their artistic practice is characterized by a DIY ethos, a willingness to experiment and take risks, and a commitment to collaboration and collective creativity. Drawing on a range of influences, from punk rock to performance art, the Scat Queens create immersive and often interactive experiences that blur the boundaries between artist and audience.