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Who we are

With research staff from more than 70 countries, and offices across the globe, IFPRI provides research-based policy solutions to sustainably reduce poverty and end hunger and malnutrition in developing countries.

Danielle Resnick

Danielle Resnick is a Senior Research Fellow in the Markets, Trade, and Institutions Unit and a Non-Resident Fellow in the Global Economy and Development Program at the Brookings Institution. Her research focuses on the political economy of agricultural policy and food systems, governance, and democratization, drawing on extensive fieldwork and policy engagement across Africa and South Asia.

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What we do

Since 1975, IFPRI’s research has been informing policies and development programs to improve food security, nutrition, and livelihoods around the world.

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Where we work

IFPRI currently has more than 480 employees working in over 70 countries with a wide range of local, national, and international partners.

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For decades, older women were often relegated to stereotypes: the senile neighbor, the homebound grandmother, or the "geriatric" background character. Today, several breakout films and series are centering the "diverse, dynamic, and complicated humanity" of mature women: : Films like Otherhood (starring Angela Bassett and Patricia Arquette) and

(Nicole Kidman) are pushing back against the societal tendency to ignore the sensuality of aging bodies, portraying women who are in their "sexual prime" rather than a period of invisibility. : Actresses like Jean Smart Hannah Waddingham ), and Frances McDormand

Beyond romance and career, the most powerful stories have allowed mature women to inhabit genres previously closed to them—especially action and horror. The 2024 horror prequel The First Omen featured a compelling performance by Nell Tiger Free, but more notably, the legacy sequel genre has handed the baton back to older actresses in thrilling ways. Jamie Lee Curtis in the Halloween reboot trilogy (2018–2022) transformed Laurie Strode into a grizzled, traumatized survivalist—a female action hero marked by time and pain. Meanwhile, Michelle Yeoh’s Oscar-winning turn in Everything Everywhere All at Once (2022) stands as a landmark: a middle-aged, exhausted laundromat owner who becomes the multiverse’s savior. Yeoh’s Evelyn Wang is not a de-aged supermodel or a caricature; she is a woman with back pain, tax problems, and a fractured family, whose maturity—her accumulated regrets, love, and resilience—is precisely what makes her a hero.

Women have shaped cinema from its inception, often breaking barriers as actors, directors, and producers despite a male-dominated industry. Barbara Stanwyck Milfy.24.07.08.Heidi.Haze.Voluptuous.Mom.Heidi....

By controlling the capital and the scripts, mature women are ensuring their stories are told with authenticity rather than through a reductive male gaze. 3. The Streaming Revolution and Expanding Formats

The sequence “24.07.08” is most logically interpreted as a date in the format. This suggests an origin date of July 24, 2008 . However, its inclusion in this context typically serves one of two distinct functions:

Women over 50 are increasingly controlling the narrative by directing and producing their own content. For decades, older women were often relegated to

Let's break down this intriguing string piece by piece, shining a spotlight on the industry, the performance, and the talent at its center.

: While female actors have gained ground, the percentages of mature female directors and studio executives controlling greenlight budgets still lag behind.

Similarly, veterans like Jane Fonda, Lily Tomlin, and Helen Mirren have demonstrated that audiences possess an immense appetite for stories centered on the lives, friendships, and romances of older women. The success of projects like Grace and Frankie shattered the myth that younger demographics will not tune in to watch older protagonists. Driving Forces Behind the Shift The 2024 horror prequel The First Omen featured

For generations, Hollywood treated the sexuality of older women as either nonexistent or a punchline. Recent cinema actively pushes against this puritanical boundary. Projects like Good Luck to You, Leo Grande , starring Emma Thompson, offer revolutionary, body-positive, and deeply empathetic explorations of female pleasure and intimacy in later life.

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