Community spotlight: Snohomish County
the issue
Like many communities across the state, Snohomish County has seen a spike in homelessness and
people
struggling with behavioral health disorders in recent years. They had invested in embedded social workers to
partner with law enforcement to engage people into services. But too often, there was nowhere for people to go to
get the support they needed. People who wanted treatment were not able to get into a program right away or ended
up involved in the criminal justice system rather than treatment, and too many were unable to secure housing.
our response
Working in close partnership with Snohomish County, the Snohomish County Sherriff’s Office and
community
partners, we designed two new programs to specifically address the community’s most urgent needs.
The Snohomish County Diversion Center
is a 44-bed facility that provides residents a thorough needs
assessment, assertive engagement into available services, medication assisted treatment options, and
individualized support and recovery plan development.
The Carnegie Resource Center
serves as a gateway to a multitude of resources including mental health
counseling, substance use disorder treatment, employment services, housing enrollment, veteran programs,
health insurance navigation and public benefit enrollment.
how it's working
In their first full year of operation, these new programs are delivering!
at the carnegie
233
got deposit assistance to secure housing
165
received benefits to access primary care
Community spotlight: Spokane
the issue
Our partners at the City of Spokane and Spokane County, and other community stakeholders have
been
working together for several years to decrease the jail population, reduce unnecessary ER visits, and provide
safe, stable housing options in the downtown core.
our response
To address these pressing community concerns, we converted the Carlyle from assisted living to
serviceenriched
housing for justice-involved individuals. Thanks to the support of the local legislative delegation,
we secured capital funding to upgrade the facility to meet current housing codes in 2019. And with amazing
ongoing support from community funders, we are able to provide on-site services and activities that are
specifically designed to meet our residents’ needs and build a strong community within the facility.
This transition allows Carlyle residents to secure affordable housing and get the support they
need to build
healthy, productive lives in the community.
how it's working
Housing stability increased
Treatment success increased
Emergency service use decreased
Recidivism risk decreased
: Modern entertainment often blends genres, such as the "dark rock" of CyberJesus , which combines biblical themes with virtual world aesthetics. Upcoming Local Events & Activities
Not the Cosbys: How Counter-Programming and Subversive Satire Reshaped Modern Media
: Contemporary blockbusters, prestige dramedies, and adult animation all owe a debt to this era. The focus shifted away from pristine moral lessons toward complex, messy human interactions. The Media Metamorphosis
As we look toward the future of entertainment content, the trajectory of Not Cosby’s 12 suggests a move toward even more interactive and community-driven media. The "fourth wall" is completely gone; the audience expects to interact with their favorite personalities through comments, live streams, and Discord communities. not the cosbys xxx 12 hot
The landscape of entertainment has evolved to offer numerous alternatives that provide humor, family dynamics, and cultural relevance without the association to the disgraced comedian.
: For images, Google Images allows you to filter results by content type, size, color, and more.
"The Cosby Show" had a significant impact on American television and society. It: : Modern entertainment often blends genres, such as
The phrase is one of the most significant, yet overlooked, phrases in modern television history, serving as the original working title for the anti-sitcom Married... with Children . In the late 1980s, American television was dominated by wholesome, aspirational family dynamics, a template set by The Cosby Show . When creators Michael G. Moye and Ron Leavitt pitched a stark, cynical alternative about a dysfunctional, cash-strapped family, they used the internal production moniker "Not the Cosbys" to instantly communicate their rebellious vision. Today, this phrase has evolved into a critical framework for analyzing how counter-programming, adult-oriented parodies, and subversive satire dismantle sanitized cultural landscapes.
During the heights of its run, The Cosby Show single-handedly anchored NBC's financial fortunes, routinely dominating the #1 spot in ratings. However, a major symbolic shift occurred during the week ending November 29, 1987. According to historical UPI Archive Ratings Reports , a holiday rerun of the show slipped down to in the weekly rankings. While NBC still won the network week, this dip outside the top 10 was an early indicator that alternative counter-programming—like the edgy, anti-establishment content being pioneered on rival networks—was beginning to siphon away younger, media-weary viewers. 2. The 12-Episode Narrative Experimentation
The target of their next project was NBC’s The Cosby Show , one of the most popular and culturally significant sitcoms of the 1980s. For producer Jeff Mullen, the concept was a natural fit. In a 2008 interview, Mullen explained his rationale: "Every episode of that show just dripped with some type of sexual situation," he said. "If you blow the casting, you might as well pack up and go home". This philosophy guided the entire production, which officially began in December 2008. The Media Metamorphosis As we look toward the
For decades, Bill Cosby was not merely a comedian; he was the de facto patriarch of American television. The cozy cardigan of Cliff Huxtable represented a safe, digestible, and morally upright vision of Black family life. To consume Cosby’s content was to consume a national lullaby. However, the public reckoning that shattered his legacy did more than remove a single icon from the pantheon. It catalyzed a new genre of entertainment—what critics have termed “Not Cosby’s 12” content—that fundamentally altered the relationship between popular media, audience ethics, and historical trauma. This new wave of media is defined not by the absence of Cosby, but by the active interrogation of power, the centering of survivor narratives, and the uncomfortable separation of art from the artist.
: Episodes intentionally abandoned neat, heartwarming conclusions, offering cynical realism instead. 12 Foundational Pillars of the "Not the Cosbys" Media Era
: Modern entertainment often blends genres, such as the "dark rock" of CyberJesus , which combines biblical themes with virtual world aesthetics. Upcoming Local Events & Activities
Not the Cosbys: How Counter-Programming and Subversive Satire Reshaped Modern Media
: Contemporary blockbusters, prestige dramedies, and adult animation all owe a debt to this era. The focus shifted away from pristine moral lessons toward complex, messy human interactions. The Media Metamorphosis
As we look toward the future of entertainment content, the trajectory of Not Cosby’s 12 suggests a move toward even more interactive and community-driven media. The "fourth wall" is completely gone; the audience expects to interact with their favorite personalities through comments, live streams, and Discord communities.
The landscape of entertainment has evolved to offer numerous alternatives that provide humor, family dynamics, and cultural relevance without the association to the disgraced comedian.
: For images, Google Images allows you to filter results by content type, size, color, and more.
"The Cosby Show" had a significant impact on American television and society. It:
The phrase is one of the most significant, yet overlooked, phrases in modern television history, serving as the original working title for the anti-sitcom Married... with Children . In the late 1980s, American television was dominated by wholesome, aspirational family dynamics, a template set by The Cosby Show . When creators Michael G. Moye and Ron Leavitt pitched a stark, cynical alternative about a dysfunctional, cash-strapped family, they used the internal production moniker "Not the Cosbys" to instantly communicate their rebellious vision. Today, this phrase has evolved into a critical framework for analyzing how counter-programming, adult-oriented parodies, and subversive satire dismantle sanitized cultural landscapes.
During the heights of its run, The Cosby Show single-handedly anchored NBC's financial fortunes, routinely dominating the #1 spot in ratings. However, a major symbolic shift occurred during the week ending November 29, 1987. According to historical UPI Archive Ratings Reports , a holiday rerun of the show slipped down to in the weekly rankings. While NBC still won the network week, this dip outside the top 10 was an early indicator that alternative counter-programming—like the edgy, anti-establishment content being pioneered on rival networks—was beginning to siphon away younger, media-weary viewers. 2. The 12-Episode Narrative Experimentation
The target of their next project was NBC’s The Cosby Show , one of the most popular and culturally significant sitcoms of the 1980s. For producer Jeff Mullen, the concept was a natural fit. In a 2008 interview, Mullen explained his rationale: "Every episode of that show just dripped with some type of sexual situation," he said. "If you blow the casting, you might as well pack up and go home". This philosophy guided the entire production, which officially began in December 2008.
For decades, Bill Cosby was not merely a comedian; he was the de facto patriarch of American television. The cozy cardigan of Cliff Huxtable represented a safe, digestible, and morally upright vision of Black family life. To consume Cosby’s content was to consume a national lullaby. However, the public reckoning that shattered his legacy did more than remove a single icon from the pantheon. It catalyzed a new genre of entertainment—what critics have termed “Not Cosby’s 12” content—that fundamentally altered the relationship between popular media, audience ethics, and historical trauma. This new wave of media is defined not by the absence of Cosby, but by the active interrogation of power, the centering of survivor narratives, and the uncomfortable separation of art from the artist.
: Episodes intentionally abandoned neat, heartwarming conclusions, offering cynical realism instead. 12 Foundational Pillars of the "Not the Cosbys" Media Era
