Stossgebet Fur Meinen Hammer -hans Billian- Lov... Portable Jun 2026

Prospective viewers should approach the short as a rather than a conventional film. It offers:

is a 1976 West German adult short film directed by the prolific filmmaker Hans Billian and starring Uschi Karnat and Christine Szenetra . Produced during the golden era of European exploitation and adult cinema, the film is known for its distinct humor, cultural camp, and its unique setting inside a ladies' sauna.

Hans Billian served as the director, writer, and producer for this short, which was a common practice for his smaller-scale erotic productions. The cast features several faces familiar to the genre during that period: : Credited as a client in the sauna. Stossgebet fur meinen Hammer -Hans Billian- Lov...

Billian was a craftsman. He understood that audiences in 1970 didn't want a lecture; they wanted to giggle at a woman losing her towel and a man hiding in a closet while his trousers are on fire.

Historical and auteur context

As we reflect on his contributions, it's essential to consider the impact of adult entertainment on culture and the ongoing discussions about consent, creativity, and freedom of expression.

: When the mother attempts to complain to the property owner (Brandauer), she is met with cold indifference. It is eventually revealed that the male intruder was intentionally placed there by the owner, leading to a calculated, explicit group encounter involving the attendees. Prospective viewers should approach the short as a

In the landscape of German literature and film, few titles are as strikingly paradoxical as by the multifaceted artist Hans Billian . At first glance, the name Hans Billian is indelibly linked with a specific, prolific era of German erotic cinema. However, to pigeonhole Billian solely as a director of adult films is to miss the nuanced, often absurdist humor of his literary and artistic output. This particular work—a short, poetic, or prosaic "ejaculatory prayer"—serves as a perfect entry point into understanding Billian the satirist.

Notably, both actresses appear to have had — “Stoßgebet für meinen Hammer” seems to be among their only credited roles. Karnat and Szenetra were likely part of the loose pool of performers that populated the burgeoning German adult film industry in the mid‑1970s. Hans Billian served as the director, writer, and