The film was produced under the banner of and was directed by M. Raja, with his father, Editor Mohan, serving as the producer. The reported budget for Thillalangadi was approximately $3.3 million USD . The movie was shot across several exotic locations, including Singapore, Malaysia, Bangkok, and Hyderabad , in addition to schedules in Chennai.
The twist? Krishna isn’t a villain. He steals from corrupt businessmen and donates to the poor, making him a "Robin Hood" figure. The climax reveals a hilarious supernatural element involving a ghost (Jayam Ravi’s third role in the film), adding a unique flavor to the standard action-comedy formula.
💡 While some Reddit users debate if it lived up to the Telugu original, Thillalangadi remains a "quality entertainer" for those who love Vadivelu's comedy and high-budget action sequences. thillalangadi full tamil movie
Comedy. Thillalangadi - Santhanam Intro In Hospital. 2010. | Tamil. | Comedy. | 4 mins. | All.
Thillalangadi is a 2010 Indian Tamil-language masala film directed by M. Raja, starring Jayam Ravi (dual roles), Tamannaah Bhatia, and Nikki Galrani in key roles; it’s a Tamil remake of the 2006 Telugu film Kick. The film blends action, comedy, romance, and heist elements, with an emphasis on high-energy sequences and a fast-paced narrative. The film was produced under the banner of
Upon its release, the film received mixed to negative reviews from critics. The Times of India gave it 2 out of 5 stars, noting that while the film has its moments, it falls flat as a whole. However, it was praised as a "no-brainer" with a neat execution in its final act. Despite the critical reception, Thillalangadi was a , particularly overseas. The film had a total India net collection of ₹37.25 crores and performed notably well in international markets, earning a decent ₹8.1 crores from overseas collections.
Thillalangadi (2010): A Commercial Masala Entertainer or a Missed Opportunity? The movie was shot across several exotic locations,
: While society views his inability to stick to a job or relationship as a character flaw, the film suggests that a life without passion is a life half-lived. The Transformation
This sets up an intense cat-and-mouse game between the eccentric thief and the principled cop. The film culminates in a high-stakes heist, where the two Krishnas must confront each other and their own definitions of right and wrong.